KENARI
Saxophone Quartet

Applauded for their “flat-out amazing” performances and “stunning virtuosity” (Cleveland Classical), the highly acclaimed Kenari Quartet delivers inspiring performances that transform the perception of the saxophone. The quartet highlights the instrument’s remarkable versatility by presenting meticulously crafted repertoire from all periods of classical and contemporary music. Recent engagements include their New York City debut on the People’s Symphony Concerts series, as well as appearances at Chamber Music Northwest, Chamber Music Tulsa, String Theory, and Chamber Music Utica, among others. In 2023, the Fischoff National Chamber Music Association presented the group with the Ann Divine Educator Award. As a result, they participated in Fischoff’s flagship S.A.M. I Am Arts-in-Education Residency program, a weeklong program in which the group created and performed a musical rendition of Malcolm Mitchell’s My Very Favorite Book in the Whole Wide World. The quartet advocates passionately for the music of living composers and has given world premieres of new works. In the 2024-2025 season, Kenari will give the world premiere of a work by Steven Banks, the group’s baritone saxophonist, which will serve as a substantial addition to the saxophone quartet repertoire.

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Press Release - March 20, 2023

KENARI QUARTET WINS FISCHOFF’S 2023 ANN DIVINE EDUCATOR AWARD

Notre Dame, IN - The Fischoff National Chamber Music Association is delighted to announce that the Kenari Quartet has been selected as the winner of Fischoff’s 2023 Ann Divine Educator Award. This national award recognizes the educational outreach work of Fischoff Competition alumni who have demonstrated outstanding and imaginative programming for children and youth in the United States. It honors musicians who have established professional careers in chamber music, and have proven their ability to successfully build a career in both chamber music performance and educational outreach.

Kenari Quartet, comprised of Bob Eason (soprano saxophone), Kyle Baldwin (alto saxophone), Corey Dundee (tenor saxophone), and Steven Banks (baritone saxophone), is applauded for their “flat-out amazing” performances and “stunning virtuosity” (Cleveland Classical). The highly acclaimed Kenari Quartet delivers inspiring performances that transform the perception of the saxophone. The quartet aims to highlight the instrument’s remarkable versatility by presenting meticulously crafted repertoire from all periods of classical and contemporary music. The Kenari Quartet has found a home performing on many of the premiere chamber music series in the United States. Recent engagements include appearances at Chamber Music Northwest, the Grand Teton Music Festival, and Chamber Music Tulsa. For more than a decade Kenari has been committed to giving back to their communities performing engagement concerts for audiences of all ages. Their educational work for children includes workshops and masterclasses at universities, K-12 schools, youth centers and libraries. Recent residencies have reached hundreds of students at String Theory, San Antonio Chamber Music Society, Chamber Music Tulsa, “Out of the Bachs” at Baldwin Wallace Conservatory, and as Protégé Project Artists at Chamber Music Northwest.

Formed in 2012 at Indiana University, the quartet’s name is derived from the Malay word kenari, which may be translated as “songbird.” Expanding on the age-old idea that birds communicate through song, the Kenari Quartet seeks to exemplify this concept through concert hall performances. By connecting with their audiences not only via song, but also through physical movement, Kenari amplifies the standard concert experience with their striking visual communication and powerful stage presence.

This past November, Fischoff’s S.A.M. I Am featured the fun, futuristic, fractured fairy tale Interstellar Cinderella (Cenicienta Interesterlar) performed by Fischoff alumni, WindSync, for second graders across Michiana. Over 900 students in under-resourced schools in South Bend, Elkhart, Goshen and Concord school districts participated in this transformational reenactment intended to help teachers ignite student’s love of reading and continue to bridge the learning gap that was heightened during the coronavirus pandemic. Fischoff Executive Director Scott Campbell, and the entire Fischoff team, are excited for the return of the Kenari Quartet to South Bend and the surrounding Michiana area. “Kenari captivated Fischoff audiences in 2013 and 2015 garnering silver medals each year and was invited to be our featured artist ensemble at our “Red, Hot & Jazz” gala. A balance of technical virtuosity, creativity and innovative spirits, we look forward to sharing Kenari’s talents with our community. We can’t wait to see what creative twists S.A.M. I Am will take with them.”

Bob Eason, soprano saxophonist Kenari responded, “We are so thrilled to be selected as the winner of the Fischoff National Chamber Association’s Ann Divine Educator Award! The Fischoff competition had a profound and lasting influence on our ensemble, and we are so thankful for those experiences. We’ve been hard at work developing outreach projects, and we are excited to explore the story-telling potential of Fischoff’s S.A.M. I Am program!”

Quotes

“The Kenari Quartet was, in the words of an audience member, Phenomenal! Their sound, their musicianship, their connection with the audience and their vitality places their concert as among our best!” Maureen Butler, Programming Director for the Ringwood Friends of Music

“Kenari was excellent. First rate. Wonderful. We loved them. And they were kind and personable off stage. I’d recommend them highly.” Jamie Garvey, Concerts With A Cause

"I was nearly overwhelmed by the beauty of their sound, the tight ensemble, their range, their musicality, expressiveness, and technical skills." Kathleen Gerety, Program Committee Chamber Music Tulsa

“The Kenari were flat-out amazing. Kinetic, physical players, they came close to choreographing Maslanka’s music — especially when riffs were passed down through the ensemble from top to bottom and up again. Their instrumental mastery was impressive, their tone beautiful, their intonation faultless.”

Daniel Hathaway, Cleveland Classical

"The playing was engaging and SO musical all the time. It was as impressive as we had hoped. One of the best concerts I've attended in recent memory." Bruce Sorrell, Executive Director Chamber Music Tulsa

Photos

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Programs

TEN YEARS of

AUDIENCE FAVORITES

Alexander Glazunov: Saxophone Quartet, Op. 109, III. Finale

John Leszcznski: They Might be Gods

Joel Love: In Memoriam

Nikolai Kapustin: from 24 Preludes in Jazz Style

No. 22 - Animato

No. 10 - Allegro

No. 13 - Allegretto

No. 24 - Presto

Marcelo Zarvos: Memory from Nepomuk's Dances

INTERMISSION

J.S. Bach: Italian Concerto in F, BWV 971

I. Allegro

II. Andante

III. Presto

David Maslanka: Recitation Book

I. Broken Heart: Meditation on the chorale melody "Der du bist drei in Einigkeit' (You who are three in one)

II. Prelude/Chorale: Meditation on "Jesu meine Freude" (Jesus my joy)

III. Ecco morire dunque (Look! My Death is Near!)

IV. Meditation on "O Salutaris Hostia" (O Salvation's Victim)

V. Fanfare/Variations on "Durch Adam's Fall" (Through Adam's Fall)

The Goldberg Variations; Past and Present

"Bach's timeless classic reimagined for saxophone quartet, with various stylistic interludes inspired by baroque improvisatory performance practice."

Voices of a New Generation

"New commissions and recent works that represent the vibrant and emotionally engaging musical directions being undertaken by today's emerging composers."

David Laganella - Leafless Trees

Carlos Simon - Catch on Fire
Nina Shekhar - eastbound
Ted King-Smith - Breaking Point
~~Intermission~~
John Leszczynski - They Might be Gods
Corey Dundee - the...of my… are an…
Martin Bresnik - Mending Time
Mischa Zupko - Quantum Shift

The Untapped Sonorities of the Saxophone

Six Dances in Bulgarian Rhythm

Béla Bartók, arr. Lovro Merčep

Italian Concerto

Johann Sebastian Bach, arr. Tochio/Kenari Quartet

I. Allegro

II. Andante

III. Presto

Short Stories - Jennifer Higdon

Splashing the Canvas

Lullaby

Chase

In Memoriam - Joel Love

Threnody

Adieu

INTERMISSION

A Schumann Bouquet

Robert Schumann, arr. William Bolcom

I. Lieber Mai (Beloved Maytime)

II. Knecht Ruprecht (The Bogeyman)

III. Sheherazade

IV: Laendler

V: Sehr Langsam

VI: Lied italienischer Marinari

Recitation Book

David Maslanka

I. Broken Heart: Meditation On the Chorale Melody "Der Du Bist In Eingkeit" (You Who Are Three In One)

II. Prelude - Chorale: Meditation On "Jesu Meine Freude" (Jesus My Joy)

III. Eeco Moriro Dunque (Look! My Death Is Near!) -- Gesualdo Di Venosa, 1596

IV. Meditation On "O Salutaris Hostia" (O Salvation's Victim) - Gregorian Chant

V. Fanfare - Variations On "Durch Adams Fall" (Through Adam's Fall)

Concerti Repertoire

William Bolcom Concerto Grosso (for Orchestra or Concert Band)

Lively
Song Without Words
Valse
Badinerie

Duration: 20’

Instrumentation: 2(pic).2.2.2/4.2.2.1/Timp.3Pc/ Str

Philip Glass Concerto for Saxophone Quartet and Orchestra

Duration: 23’

Instrumentation: 2(pic).2.2.2/2.2.0.0/2perc(cel)/str

Steven Mackey Animal, Vegetable, Mineral (for Orchestra or Concert Band)

Jackass
Bagpipe
Machine

Duration: 29’

Instrumentation: 2.2.2.2/4.2.2.1/timp.perc(3)/strings

David Maslanka Concerto for Saxophone Quartet (for Concert Band)

Inward
Moving, assertive
Dramatic/motoric

Duration: 33’

Instrumentation: Picc Fl-2(2»AFl) Ob-2 BbCl-3 BCl CBCl Bsn-2(2»Cbsn) SSx ASx TSx BSx | Hn-2 Tpt-2(1»Picc) Tbn-2 Euph Tuba DB | Pno Timp Perc-4

Viet Cuong Second Nature (for Concert Band)

Duration: 16’

Instrumentation: 4 Flutes (Player 4 doubles piccolo), 2 Oboes, 2 Bassoons, 4 Bb Clarinets, Bass Clarinet,

Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Baritone Saxophone (section saxophone section), Solo Saxophone Quartet (SATB),4 Bb Trumpets, 4 Horns, 2 Trombones, Bass Trombone, Euphonium, Tuba, Piano, Timpani, 6 Percussion: Marimba 1 & Bongos, Marimba 2 & Ride Cymbal, Vibraphone 1 & Bass Drum, Vibraphone 2, Suspended Cymbal, & Toms, Kick Drum, Hi-hat, & Triangle

2 Snare Drums (one small, one large)

Bios

The Kenari Quartet has found a home performing on many of the premiere chamber music series in the United States. Recent engagements include appearances at Chamber Music Northwest, Chamber Music Tulsa, People’s Symphony Concerts, String Theory, Beaches Fine Arts, Schneider Concerts, and Chamber Music Utica, among others. For many chamber institutions, the Kenari Quartet has been proud to serve as the first ensemble of its kind to be presented.

Kenari has a keen proclivity for collaboration and innovation. As a testament to the flexibility of the saxophone quartet, the group was featured at the 86th Annual Baldwin Wallace Conservatory Bach Festival. Here, they collaborated with performance and academic faculty, as well as student musicians to present an unprecedented residency that explored the influence of baroque music on the late composer David Maslanka and improvisation throughout musical history. The quartet has also participated in collaborations with other artists, including the Imani Winds and WindSync.

Advocating passionately for the music of living composers, the quartet has given world premieres of new works by Mischa Zupko, Joel Love, and David Salleras. It has also participated in consortia to commission composers Martin Bresnick, Carlos Simon, Nina
Shekhar, and Ted King-Smith. Through the support of Chamber Music Tulsa, Kenari will give the world premiere of a work by Steven Banks, the group’s baritone saxophonist, which will serve as a substantial addition to the saxophone quartet repertoire. As a recipient of Chamber Music America’s Classical Commissioning Grant, the Kenari Quartet was also awarded a generous grant that allowed them to commission a new work from Corey Dundee, the group’s tenor saxophonist. This project was made possible by the Andrew. W. Mellon Foundation, The Aaron Copland Fund for Music, and the Chamber Music America Endowment Fund.

The Kenari Quartet is regularly involved in community engagement opportunities and educational endeavors, performing and teaching at youth centers and grade schools around the country. In 2023, the Fischoff National Chamber Music Association presented the group with the Ann Divine Educator Award. As a result, they participated in Fischoff’s flagship S.A.M. I Am Arts-in-Education Residency program, a weeklong program in which the group created and performed a musical rendition of Malcolm Mitchell’s My Very Favorite Book in the Whole Wide World. The quartet has also given performances, masterclasses, and lectures around the country at various universities, including the University of Michigan, Indiana University, the University of Southern California, the University of Houston, and the Baldwin Wallace
Conservatory.

The quartet released their debut album—titled French Saxophone Quartets—on the Naxos Records label. This recording project features early masterworks for saxophone quartet by French composers Eugéne Bozza, Alfred Desenclos, Pierre Max Dubois, Jean Françaix, Gabriel
Pierné, and Florent Schmitt. The Kenari Quartet also appears on David Deboor Canfield’s 2018 album, Saxophone Music, Vol. II, with their performance of Canfield’s Opus Pocus, a delightful and witty work that depicts wondrous magicians and illusionists such as Merlin and Houdini.

Formed in 2012 at Indiana University, the quartet’s name is derived from the Malay word “kenari”, which may be translated as “songbird.” The Kenari Quartet seeks to exemplify this concept in concert by communicating with each other and their audiences through sound. The
Kenari Quartet is represented by Jean Schreiber Management.

Bob Eason, soprano sax

Hailed by Fanfare magazine for his “exceptional feel for elegance, wit, and tonal beauty,” Bob Eason is an Indianapolis-based saxophonist, music educator, and clinician. Having recently performed as a guest artist with SaxoBang Ensemble in Taipei, Taiwan, Bob actively concertizes as a soloist and chamber musician. Bob is the founder of the Young Saxophonist’s Institute, an organization of summer programs that has educated over 700 saxophonists since its beginning in 2007. Bob holds a master’s degree in saxophone performance from Indiana University and a bachelor’s degree in music education from the University of Houston, and his primary teachers include Otis Murphy, Dan Gelok, Valerie Vidal, Karen Wylie, Chris Patterson, and Theron Sharp.

Kyle Baldwin, alto sax

Kyle Baldwin is currently living in the San Francisco Bay Area where he is teaching a small studio of students and continues performing with the Kenari Quartet. In the summer of 2016, Kyle graduated from Indiana University Jacobs School of Music with a bachelor’s degree in music performance. There he studied with Dr. Otis Murphy and Professor Tom Walsh. Originally from Fresno, California, he has also studied with Dr. Alan Durst at Fresno State University and Professor Larry Honda at Fresno City College. He is a recipient of the Premier Young Artist Award Scholarship, a very honorable award given in the Jacobs School of Music, as well as the Marcel Mule Scholarship. Much of Kyle’s college career has been devoted to premiering new works for saxophone. He has collaborated with several composers in the Fresno State composition department where he has worked with Joey Bohigian, Dr. Benjamine Boone, and Dr. Kenneth Froelich. Kyle enjoys experimenting with new approaches to classical music through unique instrumentation and new performance concepts.

Corey Dundee, tenor tax

Corey Dundee is an Ann Arbor based composer and saxophonist whose work has been described as “trippy dream music” (casual university acquaintance) and “falling down a black rabbit hole” (six-year-old concert-goer in Norfolk, CT). A recipient of Chamber Music America's 2016 Classical Commissioning Grant, Corey was recently named Honorable Mention for MTNA’s 2018 Distinguished Composer of the Year Award, as well as a Finalist for the 2018 Cortona Prize. Corey has undertaken an Artist Residency at the Kimmel Harding Center for the Arts in Nebraska City, and he has received commissions from the Michigan Music Teachers Association, the Norfolk Contemporary Ensemble, Front Porch, the Spatial Forces Duo, Taos Chamber Music Group, the UNCSAx ensemble, and saxophonist Shawna Pennock. As a performer, Corey has appeared as a concerto soloist with the Cincinnati Pops Orchestra and the North Carolina Symphony, among others.

Steven Banks, baritone sax

Recognized for his “glowing mahogany tone” (Seen and Heard International) and “breathtaking” (Classical Voice of NC) performances, Steven Banks is active as a classical saxophonist, chamber musician, music educator, advocate for diversity and inclusion in classical music, and composer. Steven has a relationship with The Cleveland Orchestra, having performed with the legendary ensemble at Severance Hall, Carnegie Hall, and the Blossom Music Center. Steven holds degrees from Northwestern University and Indiana University, where he was mentored by Taimur Sullivan and Dr. Otis Murphy, Jr., respectively. Steven serves as the Assistant Professor of Saxophone at the Ithaca College School of Music.

KENARI Saxophone Quartet