
Jonathan Hulting-Cohen
Classical saxophonist Jonathan Hulting-Cohen’s performances as soloist and chamber musician are considered “impressive” with “exceptional facility”, and “fun to watch”. From a musical family in Philadelphia, his early training was as a concert violinist, Irish fiddler, and classical singer. He picked up the saxophone at age 12, continuing his classical training while studying the foundations of jazz.
Videos
Photos
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Photos by Isabella Dellolio Photography







Programs
Jazz/Crossover
A Saxophone Fantasy
Pablo de Sarasate (arr. Larân) - Carmen Fantasy
Libby Larsen - Holy Roller (1998)
Takashi Yoshimatsu - Fuzzy Bird Sonata (2005)
- Intermission -
George Gershwin/Martino - A Gershwin Fantasy (1924/2010)
Paquito D’Rivera - Invitación al Danzón (2008)
Chick Corea - from Florida to Tokyo (2016)
Astor Piazzolla - Libertango (1974)
Encore: Jimmy Dorsey - Oodles of Noodles (1933)
Classical Saxophone
Program
Jacques Ibert – Concertino da camera
Allegro con Moto Larghetto – Animato molto
Ring/Hager – Danse Hongroise
Francis Poulenc – Sonata For oboe and piano
Elégie Scherzo Déploration
Paquito D’Rivera – Invitación al Danzón
Intermission
Baljinder Singh Sekhon II – Gradient
John Harbison – San Antonio Sonata
I. The Summons II. Line Dance III. Couples’ Dance
Jackson Berkey – Homage to Emily Dickinson
Ástor Piazzolla – Three Tangos
Contemporary
Saxophone Journey
Pablo de Sarasate (arr. Larân) - Carmen Fantasy
Francis Poulenc - Sonata for oboe and piano
Joan Tower - Second Flight for solo alto saxophone
- Intermission -
Fuminori Tanada - Mysterious Morning III for solo saxophone
Felipe Salles - La Pedrera
Baljinder Sekhon - Gradient for alto saxophone and piano
Concerti
Berio, Luciano Chemins IV for Soprano Saxophone and Eleven Strings
Biedenbender, David Dreams in the Dusk for alto saxophone and band or chamber orchestra WP recording chamber orchestra
Boutry, Roger Divertimento for Alto Saxophone and String Orchestra
Chatman, Stephen It will not change for alto saxophone and choir
Colgrass, Michael Urban Requiem for Saxophone Quartet and Band
Creston, Paul Concerto for alto saxophone and orchestra or band
Dahl, Ingolf Concerto for alto saxophone and band
Debussy, Claude Rhapsodie for alto saxophone and orchestra
Decruck, Fernande Sonata in C# for alto saxophone and orchestra
Finney, Ross Lee Concerto for Alto Saxophone and Wind Ensemble
Fuchs, Kevin Rush for alto saxophone and orchestra (Grammy-winning work, 2019)
Garrop, Stacy Quicksilver for Alto Saxophone and Wind Ensemble WP recording
Glazunov, Alexander Concerto in Eb for Alto Saxophone and Orchestra
Hartley, Walter Double Concerto for alto saxophone and tuba
Ibert, Jacques Concertino Da Camera for alto saxophone and eleven instruments or orchestra
Larsson, Lars-Erik Concerto for alto saxophone and orchestra
Lennon, John Anthony Symphonic Rhapsody for alto saxophone and orchestra or band
Martin, Frank Ballade for alto saxophone and orchestra
Ballade for tenor saxophone and orchestra
Milhaud, Darius Scaramouche for alto saxophone and strings
Monti, Vittorio Czardas
Peck, Russell The Upward Stream for tenor saxophone and orchestra
Puccini, Giacomo O Mio Babbino Caro - from Gianni Schicchi
Un Bel Di Vedremo – from Madame Butterfly
Salles, Felipe Sagrada Familia Double Concerto for alto and soprano saxophones and orchestra WP
Schmitt, Florent Légende for alto saxophone and orchestra
Shin, Peter Power and Light for sax quartet and orchestra
Ter Veldhuis, Jacob Tallahatchie Concerto for alto saxophone and orchestra or band
Tomasi, Henri Concerto for alto saxophone and orchestra
Villa-Lobos, Heitor Fantasie for soprano saxophone and orchestra
Williams, John Escapades for alto saxophone and orchestra or band
Zuckerman, William Ajax - For Tenor Saxophone and Chamber Orchestra WP
Bio
Jonathan Hulting-Cohen
Saxophone
Classical saxophonist Jonathan Hulting-Cohen’s performances as soloist and chamber musician have been considered “impressive” with “exceptional facility”, and “fun to watch.” From a musical family in Philadelphia, his early training was as a concert violinist, Irish fiddler, and classical singer. He picked up the saxophone at age 12, continuing his classical training while studying the foundations of jazz. Early performances included a debut at the Kimmel Center for the Performing Arts at age 17 performing Alexandre Glazounov’s Concerto in Eb. At 21 he performed Luciano Berio’s Chemins IV and Roger Boutry’s Divertimento with the Philadelphia Classical Symphony.
Jonathan’s concerto engagements include standard repertoire and world premieres. In addition to the Philadelphia Classical Symphony, he has performed with the Adrian Symphony Orchestra (MI) and Sequoia Symphony Orchestra (CA), as well as the University of Michigan Symphony Orchestra, Symphony Band, and Concert Choir. Among those concerti have been RUSH, the 2018 Grammy-winning work by Kenneth Fuchs, John Williams’ classical-jazz crossover concerto, Escapades, and others by Biedenbender, Lennon, Colgrass, Hartley, and Chatman. In 2017 he premiered Guggenheim-winning composer Felipe Salles’ double concerto, Sagrada Familia, with Dutch saxophone virtuoso, Arno Bornkamp. His world premiere recording of Stacy Garrop’s Quicksilver with the UMass Amherst Wind Ensemble will be released in 2020.
As a soloist, Jonathan placed in the 2018 Classics Alive Competition, was twice a finalist in the Astral Artists Competition, and was a semi-finalist in the North American Saxophone Alliance Solo Competition. In recitals, he performs traditional and contemporary repertoire. In 2017, he toured Echoes of American Jazz, a program featuring classical works by jazz composers David Liebman, David Amram, Stephen Rush, and Jackson Berkey, which he presented at the Edinburgh Fringe Festival. He built upon this repertoire through six commissions that connect classical aesthetics with jazz and folk in his 2018 tour. Notable among this repertoire are seven-time Downbeat Magazine International Critics’ Poll Alto Saxophonist of the Year, Rudresh Mahanthappa’s jazz-influenced duet, I Choose You, and Annika Socolofsky’s Norwegian folk-influenced Rise for alto saxophone and bowed piano. These will be released on innova recordings in summer 2020.
Jonathan also enjoys a vibrant chamber music profile. He has performed at Chamber Music Northwest and at Carnegie Hall in the 21st Century Ensemble. He is co-founder of The Moanin’ Frogs, an internationally recognized saxophone sextet performing entertaining arrangements of masterpieces and new commissions from a wide range of styles. They earned notoriety as winners of the Senior Winds Division at the 2018 M-Prize Competition. The Admiral Launch Duo, co-founded by Jonathan and harpist Jennifer Ellis, have commissioned and premiered 10 new works for harp and saxophone nationwide, and released their debut album, Launch, on Albany Records in 2018.
Jonathan trained at the University of Michigan under Donald Sinta. He currently serves as Assistant Professor of Saxophone at the University of Massachusetts Amherst, co-director of the New England Saxophone Festival & Competition, and is a member of the NASA Committee on the Status of Women. He is a Conn-Selmer and D’Addario Woodwinds Artist, performing exclusively on their equipment and aiding in research and design.